Karachi
may be Pakistan's largest city and commercial capital but it is a
relatively new city. Karachi's newness was underscored at a recent
map exhibition titled 'Drawing
the Line'
at the city's Mohatta Palace Museum.
The
exhibition also highlights the continuing impact colonial 'lines'
have on today's world. From border disputes to nationalist ethnic
movements, 'artificial' frontiers created by colonial bureaucratic
cartographers are the bane of many present day disputes. Pakistan, a
'new' nation built on the tenuous premise of a shared religion,
itself suffers from many of these 'post-colonial nation building'
obstacles.
As
Pakistan grapples with varying – often competing - notions of what
it means to be an 'Islamic Republic,' indigenous culture and
history circumscribes the country's debate about national identity.
Museums, as caretakers or even creators of culture, play an
instrumental role in these formative discussions.
The Mohatta Palace Museum entrance, displaying one of the magnficient gardens around the structure |
The
museum, owned by the Government of Sindh, is housed in a unique
structure constructed in the 1920s as a residence for Shiv Rattan
Mohatta, a Hindu businessman from Rajasthan. The architecture of
Mohatta Palace contains strong influences from Rajput found in
Jaipur, especially in the use of pink Jodhpur stone. Strong Mogul
influences are also visible in the building's design.
The
building was designed by Agha Ahmed Hussain, believed to be the first
Muslim architect in India. Hussain had recently arrived in Karachi
from Jaipur to take up the post of Chief Surveyor for the Karachi
Municipal Corporation (KMC).
In
1947, Mohatta Palace was acquired by the newly independent state of
Pakistan and became the official Ministry of Foreign Affairs
building. It remained the Foreign ministry's office until Pakistan's
new custom built capital of Islamabad was completed in 1966.
Following a brief stay of three years (1964-1967) by Mohtarma Fatima
Jinnah, the sister of Pakistan's founder Quaid-e-Azam
Mohammad Ali Jinnah,
the palace was abandoned and remained in disrepair until 1995.
Friendly peacocks freely roam the museum gardens and grounds. Here one is seen 'speaking' with your blogger! |
In
1995 Mohatta Palace was purchased by the Government of Sindh and
converted into a museum. Drawing
the Line
is
simply one of the many exhibitions held at the museum during the last
two decades.
The
Mohatta Palace Museum is a must see for any person interested in
Pakistan's culture and history.
__________________
Imran
is a business and management consultant. Through his work at Deodar
Advisors
and
the Deodar Diagnostic, Imran improves profits of businesses operating
in Singapore and the region. He can be reached at
imran@deodaradvisors.com.