Friday, 17 May 2019

The Girl on the Train: a film review

The Girl on the Train directed by Tate Taylor based on the best selling novel by Paula Hawkins was perhaps better left as a novel. For the first hour of the almost two hour long movie it was difficult to follow the plot or make a mental note of the characters. Yes, the pace improved in the second half and, at the very least, the main characters were no longer confusing.

The story revolves around an alcoholic divorcee woman, Rachel, who becomes obsessed with a couple living in a house she passes on her daily commute into Manhattan. One day during these daiy voyeuristic commutes Rachel witnesses the woman kissing a man who is not her husband. Having been through a divorce with an unfaithful husband – who lives in their jointly purchased house a few doors down from the couple she obsesses about – Rachel loses it.

Rachel, known for making unannounced visits to her ex-husband's home, subsequently tries to visit the apparently unfaithful woman (Megan) to give her a piece of her mind. Unfortunately for Rachel as she was in her usual drunken stupor she has little recollection of what transpired during that fateful visit. Unfortunate because that night Megan mysteriously disappeared. 

The story slowly unravels and the viewer pieces together the puzzle, all the while learning more about each character. (Yes, you know the old adage: don't judge a book by its cover.) 

The Girl on the Train is billed as a psychological thriller on many move sites. That's a fallacy. At best it's a mystery - albeit incuding a side role for a mysterious psychiatrist. Only the strength of the acting held it together with great performances put in by the cast. In case anyone's asking, I would say the book might be the better bet!

Imran is a Singapore based Tour Guide with a special interest in arts and history. Imran has lived and worked in several countries during his career as an international banker. He enjoys traveling, especially by train, as a way to feed his curiosity about the world and nurture his interest in photography. He is available on twitter (@grandmoofti); Instagram(@imranahmedsg) and can be contacted at

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